Auckland, Northland and parts of the Waikato are now operating under Level 3 restrictions with Click & Collect services now available at the majority of our stores. All stores outside of Level 3 areas remain open for in-store customers. Online orders will be available for all customers with some delays due to courier backlogs and lockdown procedures.
The Cube and the Face - Around a Sculpture by Alberto Giacometti -

The Cube and the Face - Around a Sculpture by Alberto Giacometti

Paperback

$79.10

Or 4 payments of $19.78 with

delivery message Free delivery for orders over $49.99

Add to Favourites
Sourced from our Overseas Supplier
Delivered in 10 - 20 days
Available for Click and Collect
Alberto Giacometti's 1934 Cube stands apart for many as a typical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional - a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait - or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.

Product code: 9783037345207

ISBN 9783037345207
Dimensions (HxWxD in mm) H224xW142xS20
No. Of Pages 224
Publisher Diaphanes AG
Alberto Giacometti's 1934 Cube stands apart as a Swiss artist, the abstract sculptural work that otherwise had as its objective the exploration of reality. Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, this book presents fans and collectors of Giacometti's art with an approach to transitional work.