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Emptiness and Temporality - pr_18498

Emptiness and Temporality

Buddhism and Medieval Japanese Poetics

By Esperanza Ramirez-Christensen



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Emptiness and Temporality is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (J.ku) and temporality (mujo) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. This book engages contemporary Western theory, especially Derrida's concepts of differance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Heidegger's Being and Time, Bakhtin's notion of the dialogical, Gadamer's Truth and Method, hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (yugen and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. Emptiness and Temporality constitutes a radically new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as No performance, calligraphy, and black-ink painting.

Product code: 9780804748889

ISBN 9780804748889
Dimensions (HxWxD in mm) H229xW152
No. Of Pages 224
Publisher Stanford University Press
Emptiness and Temporality is an account of classical Japanese poetics that takes its starting point in the two Buddhist concepts of emptiness (J. ku) and temporality (mujo) that ground the medieval understanding of poetry, and examines their affinity with contemporary Western theory, particularly Derridean differance and deconstruction.